On June 27th, Frankie Cosmos will release their latest long player, Different Talking, available on CD/LP/DSPs worldwide from Sub Pop.
Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current.
The current configuration of Frankie Cosmos features Greta Kline, Alex Bailey, Katie Von Schleicher, and Hugo Stanley. Kline is the only constant, but Stanley, Bailey, and Von Schleicher are crucial collaborators, and to use the names “Greta Kline” and “Frankie Cosmos” interchangeably would be incorrect. Kline remains the primary songwriter, and the music on Different Talking is arranged by the band as a whole, but this is the first album to be self-tracked by the unit with no external studio producers.
Lyrically, Different Talking may be some of Kline’s most insular work, but musically, it’s the most varied and richly textured Frankie Cosmos album, filled with country-fried noodling and tassels of synth and imposing walls of sound. “We’d go to any length to get Greta’s songs right, and she’s generous with songs, so we have a lot of freedom to arrange them,” says Katie Von Schleicher. “It’s a rare talent to have, with rare freedom given, and the course hasn’t changed.”
Lead single “Vanity” exemplifies a perfectionist’s approach to production and songwriting: Von Schleicher correctly describes it as “a fucking pop anthem,” but does a pop anthem ever contain this much attention to detail? “Vanity” is spare and busy at the same time, its second-album-Strokes chorus blossoming between passages of minimalist curiosity that recall the earliest Frankie Cosmos tapes. It’s one of the songs on Different Talking that doesn’t have a clear object, perhaps a result of its genesis: “I started writing it one evening while I walked (~6.5 miles) from Tompkins Square Park to Sunset Park, speaking directly to the universe and pleading to be considered by it,” says Kline. “It feels like it encompasses this push and pull between adult and kid, government and governed, planet and blade of grass.”
Watch the official video for “Vanity,” which features footage compiled during the recording of Different Talking and filmed by Frankie Cosmos members Greta and Alex. Click here to watch.
Different Talking is now available to pre-order on vinyl/CD/digital formats from Sub Pop. A Loser Edition LP on Opaque Red is available through the Sub Pop Mega Mart (North America) and White Vinyl via the Mega Mart 2 (UK/EU) and your local record store.
More about Frankie Cosmos Different Talking:
Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie music’s most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart.
To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. “A lot of the album is about being grown up and figuring out how to know yourself – like, ‘What is moving on?’” says Kline. “How do we move on when we’re addicted to a cycle of haunting our own past? Writing songs is just the way through that.”
Kline has been a fixture of the American indie underground since her late teens when her prolific Bandcamp releases and 2014 indie-label debut Zentropy led her to be dubbed “the poet laureate of New York City DIY.” A tag like that is a lot for young shoulders to take on, but it’s hard to deny the singular influence she has had on contemporary pop music. If the idea of a young woman picking up a synth in her bedroom, putting a couple of songs on the internet, and quickly becoming a superstar is now de rigeur, it’s because Kline – along with a handful of other artists and writers – normalized and exalted ideas of (female) DIY genius long before they were pinned to moodboards in major-label marketing offices (read full bio at Sub Pop).

Frankie Cosmos
Different Talking
Tracklisting:
1. Pressed Flower
2. One of Each
3. Against the Grain
4. Bitch Heart
5. Porcelain
6. One! Grey! Hair!
7. Vanity
8. Not Long
9. Margareta
10. Your Take On
11. High Five Handshake
12. You Become
13. Joyride
14. Tomorrow
15. Wonderland
16. Life Back
17. Pothole
Father John Misty is announcing new US headlining shows for September 2025 in support of Mahashmashana. The new dates begin Sunday, September 14th in Denver, CO at The Mission Ballroom and end Thursday, October 2nd in Fayetteville, AR at JJ’s Live. Support for these dates will come from Jagjaguwar Records act Cut Worms. Fan presales begin Wednesday, April 9th at 10 am (local; password HONEYBEAR) with tickets on sale to the general public on Friday, April 11th at 10 am (local).
Father John Misty’s recently announced headlining Summer tour dates with very special guests Lucinda Williams and Hamilton Leithauser on all shows (except where noted below) are on sale now.
Father John Misty’s sold-out UK/EU Spring 2025 headlining run continues tonight, Tuesday, April 8th in Paris, FR at La Cigale and runs through Tuesday, April 15th in London, UK at Royal Albert Hall.
Of his recent sold-out Kings and Beacon Theatre shows in New York this past February, Brooklyn Vegan raved, “Tillman is a master showman, working the stage, throwing shapes, and dancing, much to the delight of the crowd.” Meanwhile, the New York Times “The Amplifier” newsletter included his “Beacon Theatre” show in their “Favorite concerts” of the winter, saying Father John Misty is “a sharp satirist who knows exactly when to get unexpectedly sincere.” Finally, USA Today noted this charming assessment of his set from Kings Theatre attendees, “Fans gush over Father John Misty: ‘I never understood why people joined cults then I saw him live.’”
A full list of all Father John Misty tour dates are below.
April 2025 UK/EU Dates
Tue. Apr. 08 - Paris, FR - La Cigale * [Sold Out]
Wed. Apr. 09 - Brussels, BE - Ancienne Belgique * [Sold Out]
Thu. Apr. 10 - Utrecht, NL - TivoliVredenburg * [Sold Out]
Sat. Apr. 12 - Edinburgh, UK - Usher Hall * [Sold Out]
Sun. Apr. 13 - Manchester, UK - O2 Apollo Manchester * [Sold Out]
Mon. Apr. 14 - Brighton, UK - Brighton Dome * [Sold Out]
Tue. Apr. 15 - London, UK - Royal Albert Hall * [Sold Out]
* w/ Butch Bastard
June 2025 UK Dates
Sun. Jun 22 - Leeds, UK - O2 Academy Leeds **
Mon. Jun. 23 - Nottingham, UK - Rock City **
Wed. Jun. 25 - Gateshead, UK - Glasshouse International Centre for Music **
Thu. Jun. 26 - Cambridge, UK - Corn Exchange **
Fri. Jun. 27 - Liverpool, UK - L’Olympia **
Sat. Jun. 28 - Pilton, UK - Glastonbury Festival
** w/ Loren Kramar
July 2025 North American Dates
Thu. Jul. 10 - Ottawa, ON - Ottawa Bluesfest
Fri. Jul. 11 - Shelburne, VT - Ben & Jerry’s Concerts on the Green at Shelburne Museum ^
Sat. Jul. 12 - Portland, ME - Thompson’s Point
Sun. Jul. 13 - Lafayette, NY - Beak & Skiff Apple Orchards
Tue. Jul. 15 - Cincinnati, OH - Andrew J Brady Music Center
Thu. Jul. 17 - Chicago, IL - The Salt Shed
Fri. Jul. 18 - St. Paul, MN - Minnesota Yacht Club Festival
Sat. Jul. 19 - Kansas City, MO - Uptown Theater +
Mon. Jul. 21 - Santa Fe, NM - The Bridge at Santa Fe Brewing +
Wed. Jul. 23 - San Diego, CA - Cal Coast Credit Union Open Air Theatre
Thu. Jul. 24 - Santa Barbara, CA - Santa Barbara Bowl
Fri. Jul. 25 - Los Angeles, CA - Greek Theatre
Sat. Jul. 26 - Berkeley, CA - The Greek Theatre
Tue. Jul. 29 - Portland, OR - Revolution Hall + [Sold Out]
Wed. Jul. 30 - Portland, OR - Revolution Hall + [Sold Out]
Thu. Jul. 31 - Vancouver, BC - Queen Elizabeth Theatre +
All dates w/ Lucinda Williams & Hamilton Leithauser (except where noted)
^ w/ Lucinda Williams only
+ w/ Hamilton Leithauser only
August 2025 UK Dates
Sat. Aug. 23 - Galway, Ireland - Leisureland &
Sun. Aug. 24 - Dublin, IE - Collins Barracks (Wider Than Pictures) &
Tue. Aug. 25 - Belfast, UK - Ulster Hall &
Wed. Aug. 26 - Cork, IE - Cork City Hall &
Thu. Aug. 28 - Glasgow, UK - Barrowland & [Sold Out]
Fri. Aug. 29 - Glasgow, UK - Barrowland &
Sat. Aug 30 - Birmingham, UK - Moseley Folk & Arts Festival
Aug. 28 - 31 - Dorset, UK - End of the Road Festival
& w/ Cass McCombs
September/October 2025 US Dates
Sun. Sep. 14 - Denver, CO - Mission Ballroom #
Tue. Sep. 16 - Austin, TX - Moody Amphitheater at Waterloo Park #
Wed. Sep. 17 - Dallas, TX - The Bomb Factory #
Thu. Sep. 18 - New Orleans, LA - Saenger Theatre #
Sat. Sep. 20 - St. Augustine, FL - Sing Out Loud Festival
Sun. Sep. 21 - Asheville, NC - Asheville Yards #
Mon. Sep. 22 - Durham, NC - DPAC #
Wed. Sep. 24 - Madison, WI - The Sylvee #
Thui. Sep. 25 - Ft. Wayne, IN - The Clyde Theatre #
Sep. 30 - Omaha, NE - The Astro Theater #
Tue. Oct. 01 - Des Moines, IA - Val Air Ballroom #
Thu. Oct. 02 - Fayetteville, AR - JJ’s Live #
# w/ Cut Worms
Father John Misty’s Mahashmashana and its singles have seen placement on “Best of 2024” lists from the likes of The New Yorker, Variety, The Ringer, Vogue, Under the Radar, Uproxx, Stereogum, Brooklyn Vegan, The AV Club, PASTE, Consequence of Sound, PopMatters, GQ (UK), Philadelphia Inquirer, Pitchfork, New York Times, and more. The album also spent five weeks atop the NACC 200 College Albums Chart.
Mahashmashana is now available CD/LP/DSPs in North America from Father John Misty’s official merch stores in the US and EU, megamart.subpop.com, Bella Union (UK/EU), and independent retailers worldwide. The Mahashmashana album cover artwork is from Joe Roberts (LSD World Peace).
Also available is the I Love You, Honeybear single LP remastered edition
worldwide from Sub Pop Mega Mart in North America, Mega Mart 2 in the UK and EU, Father John Misty’s Official Website, and select independent retailers worldwide. As for the anniversary edition’s digital companion piece, I Love You, Honeybear demos, they are available now on all DSPs worldwide through Sub Pop.
Recently, Father John Misty performed a sweet and tender unreleased song titled “The Dead Mouse One” on The Late Show With Stephen Colbert (See February 27th performance). The track first appeared on a bootleg of his solo performance Live at the Sunset Cultural Center, Carmel-by-the-Sea, CA on December 13th, 2023.
Today, New York City-based musician/producer Yuno is sharing the official video for “Massive,” a new single from Blest, his forthcoming full-length debut album, out Friday, May 16th, 2025, worldwide from Sub Pop.
For the new album, Yuno welcomed collaborators like Patrick Wimberly of Chairlift, who lends his sparkle to the fuzz-rock saunter of “Massive.” Yuno says of the visual, in which he stars and directs, “Someone told me this video looks like 2 a.m. childhood nightmare fuel about existential dread. I couldn’t agree more.”
Yuno has also announced headline shows in support of Blest beginning Wednesday, June 18th in Cambridge, MA at Middle East Upstairs, a hometown album release show on Thursday, June 19th at Brooklyn, NY’s Baby’s All Right, and Friday, June 20th in Washington, DC at DC9. These shows are on sale now.
Tue. May 06 - Philadelphia, PA - NonCommvention
Wed. Jun. 18 - Cambridge, MA - Middle East Upstairs
Thu. Jun. 19 - Brooklyn, NY - Baby’s All Right
Fri. Jun. 20 - Washington, DC - DC9
All songs on Blest were written and performed by Yuno, co-produced by Yuno and Frank Corr, who also contributed keyboards, drums, and guitar throughout the record. The album also features additional production and instrumentation by Patrick Wimberly (“True,” “Massive”) at The CRC in Brooklyn, and Nick Sanborn at Betty’s in Durham, NC (“True”). Blest was mixed by Steve Vealey and mastered by Joe La Porta.
Blest is available to preorder on CD/LP/All DSPs from Sub Pop. LP preorders from megamart.subpop.com (North America), MM2 (in UK/EU), your local record store and at Yuno’s live shows will receive the limited Loser edition on White vinyl (Limited LP colors whilst stock lasts!).
Yuno
Blest
Tracklisting:
1. Blest
2. We Belong
3. Massive
4. Unfair
5. Perfect Pear
6. Fall Apart
7. Worst of Times
8. True
9. Gimme Ocean
10. Blitz!
Greek artist Σtella’s (pronounced Stella) mesmerizing new record, Adagio, is available worldwide today, April 4th, from Sub Pop. The album features the previously released singles “Adagio”, “Omorfo Mou” , “Baby Brazil” (Feat. Las Palabras,” and today’s official video for “80 Days” which was Directed and Animated by Io Papadatou.
Σtella has expanded her UK and EU tour, with SOLD OUT shows beginning on April 07 through April 18th. The newly announced run of shows will begin October 1st in Amsterdam, NL, and run through October 19th in Manchester, UK. See below for a complete list of shows.
Tour dates
Mon. Apr. 07- Berlin, DE - Lido SOLD OUT
Tue. Apr. 08 - Amsterdam, NL - Bitterzoet SOLD OUT
Wed. Apr. 09 - Paris, FR - Le Mazette SOLD OUT
Thu. Apr. 10 - London, UK - Jazz Cafe SOLD OUT
Fri. Apr. 11 - Brussels, BE - Botanique @ Museum
Sat. Apr. 12 - Freiburg, DE - E - Werk
Mon. Apr. 14- Bern, CH - ISC
Tue. Apr. 15 - Winterthur, CH - Salzhaus
Wed. Apr. 16 - Stuttgart, DE - Merlin
Thu. Apr. 17 - Heidelberg, DE - Karlstorbahnhof
Fri. Apr. 18 - Rotterdam, NL - Motel Mozaique
Fri. Aug. 08 - Copenhagen, DK - O Days
Wed. Oct. 01 - Amsterdam, NL - Paradiso Noord / THT
Thu. Oct. 02 - Nijmegen, NL - Doornroosje
Fri. Oct. 03 - Frankfurt, DE - am Main
Sat. Oct. 04 - Hannover, DE - Faust
Tue. Oct. 07 - Hamburg, DE - Knust
Wed. Oct. 08 - Leipzig, DE - Moritzbastei
Thu. Oct. 09 - Munich, DE - Zirka
Fri. Oct. 10 - Milano, IT - Circolo Arci Bellezza
Sat. Oct. 11 - Rome, IT - Monk
Sun. Oct. 12 - Bologna, IT - Covo
Tue. Oct 14 - London, UK - Islington Assembly Hall
Wed. Oct 15 - Leeds, UK - Brudenell Social Club
Fri. Oct. 17 - Dublin, IE - Sugar Club
Sat. Oct. 18 - Glasgow, UK - Room 2
Sun. Oct. 19 - Manchester, UK - YES (Pink Room)
Adagio is a pop record that feels like a warm blanket; it swaddles its listeners with nylon-string guitars, featherlight percussion, psychedelic keyboards, and staccato drums. Written and recorded over the span of five years with a consortium of international collaborators, including !!!’s Rafael Cohen and British songwriter Gabriel Stebbing, Adagio is a 27-minute meditation on love and desire, rest, and time. The album was produced by Σtella and mixed by Edmund Irwin-Singer. Though the bulk of it is sung in English, as all her records have been, Σtella also delivers her first two songs in Greek, “Omorfo Mou,” and a cover of a 1969 cult classic of the Greek New Wave, Litsa Sakelariou’s “Ta Vimata.”
Adagio is available to order from Sub Pop. LP preorders from the Sub Pop Mega Mart (North America), Mega Mart 2 (UK/EU), and independent retailers worldwide will receive the album on Clear Pink vinyl in North America and white vinyl in the UK & EU.
“Σtella has emerged as one of Greece’s most prominent pop artists” - Uncut
“the honey-kissed sounds of Σtella possess the timeless quality of myth” - Roland
“Pure, potent and impeccably cool, it sounds like a crisp summer’s night sat drinking wine and eating olives.” - Wonderland
Σtella Adagio Track Listing: 1. Adagio 2. Ta Vimata 3. Omorfo Mou 4. Baby Brazil feat. Las Palabras 5. Can I Say 6. 80 Days 7. Too Poor 8. Corfu 9. Caravan |
|
Built to Spill and Yo La Tengo are announcing a summer Southeast and Midwest US co-headline tour, beginning Thursday, July 10th in Atlanta at The Eastern and running through Friday, July 18th in Louisville, KY at Iroquois Amphitheatre. These new shows follow the iconic pairing’s Pacific Northwest run in the fall of 2024.
Thu. Jul. 10 - Atlanta, GA - The Eastern (Built to Spill closes)
Fri. Jul. 11 - Nashville, TN - The Ryman (Yo La Tengo closes)
Sat. Jul. 12 - St Louis, MO - The Pageant (Built to Spill closes)
Sun. Jul. 13 - Chicago, IL - The Salt Shed (Yo La Tengo closes)
Tue. Jul. 15 - St Paul, MN - The Palace Theatre (Built to Spill closes)
Wed. Jul. 16 - Milwaukee, WI - Pabst Theatre (Yo La Tengo closes)
Thu. Jul. 17 - Fishers, IN - Nickel Plate District Amphitheater (Yo La Tengo Closes)
Fri. Jul. 18 - Louisville, KY Iroquois Amphitheater (Built to Spill closes)
Immediately following the run with Yo La Tengo, Built to Spill has also scheduled a series of headlining dates beginning Saturday, July 19th in Columbia, MO at The Blue Note and ending on Sunday, July 27th, with an appearance at Portland, OR’s Project Pabst.
Sat. Jul. 19 - Columbia, MO - The Blue Note
Sun. Jul. 20 - Omaha, NE - The Waiting Room
Tue. Jul. 22 - Ft. Collins, CO - Washington’s FOCO
Wed. Jul. 23 - Salt Lake City, UT - Urban Lounge
Fri. Jul. 25 - Boise, ID - Treefort Music Hall
Sun. Jul. 27 - Portland, OR - Project Pabst Fest
Tickets for the newly announced shows go on sale Friday, April 4th at 10 am (local).
Built to Spill is touring behind their 2022 Sub Pop debut, Where The Wind Forgets Your Name, which All Music called “a late-career stunner that easily equals their best work (4/5).” In September 2024, the band supported There’s Nothing Wrong with Love, their classic second full-length album, with a massive tour for its 30th anniversary (initially released by the Pacific Northwest indie label Up Records on September 13th, 1994).
Built to Spill’s current lineup is comprised of founder band Doug Martsch, bassist Melanie Radford, and drummer Teresa Esguerra. Built to Spill’s When The Wind Forgets Your Name, and There’s Nothing Wrong With Love, are now available from Sub Pop.
Yo La Tengo are Georgia Hubley, Ira Kaplan, and James McNew. For nearly thirty years the trio have enjoyed success entirely on their own terms – playing the world’s best concert halls, museums, and dives, dominating critics’ lists, and sharing stages with some of the most important musicians of our time. In 2023, the group released its critically acclaimed sixteenth album, This Stupid World, which the New York Times dubbed “A timeless, quietly poignant distillation of the band’s singular essence” and Stereogum praised as “Another staggering collection of music.”